‘Red Fox’ drew 15.94 million views on KakaoPage and became a steady seller in print. Laftel brought it back as an original animation, and the score had to carry the desire and fear running between people, spirits and gods all the way to full immersion.
The score had to do three things:
An Eastern colour, not a costume
The world is Korean and old, but the storytelling is contemporary. The palette had to sound Eastern without turning into pastiche.
A voice for each character
The fox, Sana, Bari: each wants something different. The audience had to hear whose scene it is before anyone speaks.
Accuracy at the cue level
Dozens of separate cues per episode, each written to one turn of emotion rather than laid over a whole sequence.



